TOWARDS REGIONALISM IN
CANADIAN
ARCHITECTURE
by Douglas C. Simpson
Before coming
to
Vancouver
and while working at architecture in the Mid-west and East of Canada I
was
struck by the way so many people there seemed to consider modern
architecture
as being both experimental and bizarre. To them it was a separate
entity, something which occupied a highly dubious place in their
pattern
of living. Architecture, however, has always been contemporary
because
the architect has always used new ways of building to express new ways
of living. That is why architecture is always new, or "modern" as
some call it.
Architecture is related as
much
to people as it is to geography or to the spirit of the times. It
is an expression of the period in which it is built and to the
civilization
which surrounds it. Consequently, it should not be carried over
from
one era into another, any more than it should be blindly transplanted
from
one continent or even from one region to another.
Ever since man started to
build,
what he constructed was not only his physical shelter, but also his
psychological
shelter. His buildings conveyed to him a feeling of security,
permanence,
and continuity within an ever changing world. Consequently, the
beliefs
of a certain period are embodied in its architecture, and, as one
culture
superseded another, so one type of architecture gradually emerged into
a new "modern"one.
Marwell Building, upper level
foyer,
Vancouver, 1951
In earlier
times, the
architect
ws able to disengage himself from the problems of contemporary society
because for the most part his clients were powerful patrons, royalty or
the church. But today the architect has to look straight at life
and at his fellow men. His work aquires a more human
significance;
there is now a private collaboration between himself and the whole of
society.
This collaboration, however, has become more impersonal and certainly
more
secular; as a result, the emphasis is less on the artistic and more on
realism and reason.
Summer
Home of Gordon Farrell,
West Vancouver
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